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	Comments on: Discovery and Defence of the New	</title>
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		By: Selection as Artistic Act &#8211; State of Matter		</title>
		<link>https://stateofmatter.in/blog/discovery-and-defence-of-the-new/#comment-10</link>

		<dc:creator><![CDATA[Selection as Artistic Act &#8211; State of Matter]]></dc:creator>
		<pubDate>Mon, 12 Jan 2026 23:33:27 +0000</pubDate>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3190#comment-10</guid>

					<description><![CDATA[[&#8230;] at the oddities even in this scale, in its repetitions, its frictions and its slippages. In the previous post, I had mentioned that I would implicate Auster when discussing our engagement with speculation. It [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] at the oddities even in this scale, in its repetitions, its frictions and its slippages. In the previous post, I had mentioned that I would implicate Auster when discussing our engagement with speculation. It [&#8230;]</p>
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		By: “And Then?” A Kind-Of-Review &#8211; State of Matter		</title>
		<link>https://stateofmatter.in/blog/discovery-and-defence-of-the-new/#comment-8</link>

		<dc:creator><![CDATA[“And Then?” A Kind-Of-Review &#8211; State of Matter]]></dc:creator>
		<pubDate>Thu, 28 Mar 2024 00:08:44 +0000</pubDate>
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					<description><![CDATA[[&#8230;] detailing our criteria for selecting stories for State of Matter. I would start, as I did in the last post, with the movie Ratatouille and the problematics of time when we encounter something ‘novel’. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] detailing our criteria for selecting stories for State of Matter. I would start, as I did in the last post, with the movie Ratatouille and the problematics of time when we encounter something ‘novel’. [&#8230;]</p>
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