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	<title>Issue 19 &#8211; State of Matter</title>
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	<url>https://stateofmatter.in/wp-content/uploads/2025/04/cropped-SoM-Logo-32x32.png</url>
	<title>Issue 19 &#8211; State of Matter</title>
	<link>https://stateofmatter.in</link>
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	<item>
		<title>Blood Moon</title>
		<link>https://stateofmatter.in/fiction/blood-moon/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:35:56 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Horror]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3903</guid>

					<description><![CDATA[In the small hours of the starless night, I see her silhouette moving behind the faint glow of the torch light. Armed with a bamboo flower basket and draped in the Dongria shawl I had got her from the village mela, she looks older than her age. The light beam trails through the marigold and [&#8230;]]]></description>
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<p>In the small hours of the starless night, I see her silhouette moving behind the faint glow of the torch light. Armed with a bamboo flower basket and draped in the Dongria shawl I had got her from the village mela, she looks older than her age. The light beam trails through the marigold and the hibiscus and lands on the blossoming tagar. She tugs fiercely at a branch laden with flowers, sparing not even a single bud. I watch her pluck them with a vengeance that seems strange, at odds with the tender grace she exhibits during her prayers. It has always baffled me how she believes the gods can only see her when she is in that tiny room, seated cross-legged, her entire body folded in submission. Perhaps her piety, redolent with the scent of incense and flowers amidst the sonorous chant of mantras, veils her well enough.</p>



<p>“Must you pluck <em>all</em> the flowers?”</p>



<p>“Hey prabhu! Must <em>you</em> always startle me so?”</p>



<p>“Have you completely given up on sleep? Even the sun is yet to rise.”</p>



<p>“It’s the thieving neighbours. I must get them all before anyone is up.”</p>



<p>“The gods don’t need so many every day. I’m sure they’re tired of the same old flowers.”</p>



<p>“You and your tirade against my gods! For once, just stop wandering and go get some rest.”</p>



<p>You see, for the last twenty years or so, I have hardly slept a good wink—let alone rest—around the crack of dawn. As far back as I can stretch my unreliable memory, I cannot remember a day of our shared matrimonial life when the stubborn woman has not woken up at these ungodly hours. Even before the next-door rooster has cleared his throat, the entire house rings with a pandemonium of noises big and small—the ear-splitting creak of the rusty bathroom door, the rhythmic swoosh of the broom in the courtyard, the urgent jingle of her bangles attune with the dull thuds of her footsteps. Who can sleep around such a circus, not to mention the routine lowing of the neighbour’s cattle all night?</p>



<p>A lone owl’s hoot pierces through the thick, wintry silence of the dawn. The cool dew soothes my callouses as I struggle to put one foot in front of the other. They say wintertime makes old wounds come alive, reminding the body of the many shocks it has survived through the years. It has been a long walk though getting used to the distance is entirely another thing. I try blowing away some glistening cobwebs from the tagar tree—how beautifully it has grown! In full bloom, the small tree has morphed into a constellation of its own, its milky white flowers sparkling like tiny stars in the dark. I still remember the blazing summer afternoon when I had received my first salary; it was not much but so was the work of shuffling files in a government office all day. Proud as punch, lugging a gunny sack stacked with saplings of several flowering plants, I had walked home from the village bus stop. My mother and little sister, waiting by the verandah and probably expecting a freshly caught mirikali or a big ripe jackfruit, were unable to mask their disappointment.</p>



<p>In the soft blur of twilight, the peeled paint on the front wall resembles a furrowed bark of an old tree. I should have seen to its repair in time, when the place was yet to become a warehouse of unsightly cracks and clutter. I was fortunate to be left as the sole caretaker of this house since my younger siblings chose to prosper and grow old in the only big town in the district. They rarely visited the village. My mother, who refused to move, handed over the upkeep of the house to my wife after we got married. Reduced to a functional ruin now, the four close-packed rooms—the smallest doubles up as the kitchen and utility space—and a sizable backyard served us well over the years. With the little money I had saved up after a decade of employment, a small sitting room adjacent to the verandah and a pucca bathroom were added later.</p>



<p>My eyes rest on the big blob of seepage on the bedroom ceiling, giving it the appearance of a poorly drawn map by a child. Even the window curtains—the only remaining pair that match—have doubled in weight from gathering months of dust, the beige altered to a moldy brown. The steel almirah that once safekept the few valuables we owned, is now a dedicated shrine for junk of all kinds. Over the past few years, it has been piled with plastic boxes, paper cups, disposable spoons, wooden combs with missing teeth, utensils that have lost both their shape and purpose, and what have you. What started as a memorabilia collection in her younger days has ballooned into a ridiculous compulsion. I want to pull my hair and scream into the void, but I fear her sharp tongue.</p>



<p>“Tell me, what is so fancy about these plastic food trays? When will this habit stop?”</p>



<p>“<em>Baah! </em>Don’t you start now.”<em> </em>Almost hissing, she continues,<em> “</em>How do <em>you</em> keep wearing that same soiled shirt every day then?”</p>



<p>“How can you even bring <em>me</em> into this? As if I have an option.”</p>



<p>On the few occasions I secretly convinced Dhulia to dump it all by the banks of the Brahmani, her detective senses would sniff me out, and the entire matter ended up in a heated argument. One time she even went so far as threatening to jump into the river herself. Just like her gods, all that bric-a-brac too is sacrosanct; naturally, Dhulia is not allowed anywhere near them. His odd jobs, like weeding the vegetable patch and unclogging drains, are strictly restricted to the outer periphery of the house. My mother, who lived for less than a decade with us before she succumbed to a massive heat stroke, had taught her well. Despite their continuous bickering that would often drive me to the panchayat office for some quiet, they bonded well over pettiness and pakhala.</p>



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<p>She sprinkles the remaining puja water on straggly clumps of yellow and pink tuberoses that have sprouted around the rim of the well. A few stubborn ones have broken through the cracks in the concrete, attracting small butterflies and dragonflies. In a fruitless attempt to draw her attention, I circle the drying well and pretend to gauge the level of the water. Following her—more out of habit than purpose—I hobble all the way to the verandah and try stretching my bad leg slowly against the broken stairs. The winter sun washes over me, rekindling the memory of a warm compress on my useless limb. As she approaches the sitting mat, her pet parrot Rupa throws a sudden tantrum, flapping its wings in a demonic frenzy. I won’t lie, it is the most nagging bird I’ve seen in my time though it is not hard to guess who it mimics. I tried to free it more than once but every time the rascal would fly its way back after teetering on the guava tree for a bit.</p>



<p>Every morning after she is done with her chores, a large part of which includes the daily puja, she would sit on the verandah floor with the newspaper spread under her nose. Ignoring the pressing concerns of the world, she would turn the pages in a haste and stop at the Daily Horoscope section. Quite a self-proclaimed expert of the zodiac, she has always stood firm on her hypothesis that people born under the Kanya<em> </em>rashi suffered the most trials and tribulations. Neither material prosperity nor good karma smiled upon her lot, as if the goddess Laxmi herself had some personal beef with them. She would often lament this astrological inheritance from her mother, grumbling over the generational wealth passed down to her.</p>



<p>Reaching for her customary mid-morning tea, which is saccharine to the point where ants circle the teacup in minutes, she clicks her tongue in dismay.</p>



<p>“Bad news?” I swat a fly circling above her head.</p>



<p>“If only you had been this attentive always! It’s a pity how men become so desperate in old age.”</p>



<p>She casts a sideways glance and continues running her index finger along the prediction. “My planets have not been in sync for some time. The full moon too is approaching in a day.”</p>



<p>“Hmm… Did your planets never warn you about me?”</p>



<p>I smirk; it always infuriates her.</p>



<p>A gust of cool wind carries a shower of tagar<em> </em>flowers across the verandah. While some land on her lap, caught in between the creases of her crumpled cotton saree, few rest on the bold newspaper headlines as if on a mission to block out the world’s ugliness. Disinterested in the floral intervention, she smooths away a few wisps of white hair from her eyes. With a singular focus, she surveys the crisp blue sky which does not carry a single trace of cloud. A pale, almost full moon waits patiently for its last sliver to complete yet another full circle. How I envy the moon, its ability to resurrect itself from the pit of darkness every month.</p>



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<p>Years ago, her pantheon of the sun, moon and planets failed to foretell the fate of a dying man. They did little to caution her about a ravenous lump, the size of a lemon, gnashing through my left femur. I shudder recalling those days of wait and despair when, lying awake for hours, I could hear the inevitable shrinkage of my body, witness its gradual emaciation to the form of a skeletal child. During such sleepless nights, drenched in sweat and delirium, I’ve seen her throw up in the backyard. My poor brinjal plants! I know, it was a lot to stomach, the stench of my festering bedsores. The very thought still makes my insides churn, that brown, fishy discharge of pus melded with betadine.</p>



<p>It has been seven long winters to that fateful night. I remember there was a full moon that night as well. A thirsty blood moon, you see.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Guest</title>
		<link>https://stateofmatter.in/fiction/the-guest/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:34:57 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Dark]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Historical]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[Native American]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3906</guid>

					<description><![CDATA[Annie felt the approaching rider before seeing him. It was strange to sense someone so far away. A short time later, the slow clop of the horse’s hooves echoed on the hard-packed, rocky surface of the old Spanish road. The closer he came, the more she felt like running away. Something was wrong with him; [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>Annie felt the approaching rider before seeing him. It was strange to sense someone so far away. A short time later, the slow clop of the horse’s hooves echoed on the hard-packed, rocky surface of the old Spanish road. The closer he came, the more she felt like running away. Something was wrong with him; an emptiness gnawed away inside him, hungry. She retreated, afraid. She hoped he would keep on riding past the inn.</p>



<p>Annie nudged the lizard, her companion, to climb higher onto the rock for a better view. The lizard’s tail dragged behind as it inched its way up. It was weary from their afternoon of exploring, chasing, and eating bugs. It shook its head, and her concentration wavered.</p>



<p>She watched the road from the rock outcrop. The sun was getting low in the sky as the rider rounded a steep bend in the road. Shoulder-length hair flowed out from under a sweat-stained sombrero that concealed his eyes. A scruffy, gray-streaked beard shrouded his lower face. As his horse struggled up the grade, he dug rusty spurs deep into his horse’s flanks. He smirked. Annie could feel each twinge of pain and wheezy gasp from the poor beast.</p>



<p>That man is broken.</p>



<p>As he passed her, his eyes flitted from side to side as if searching for something. For the briefest of moments, his eyes locked on her. Could he see her? Her concentration faltered as the lizard companion exerted its will and forced her out.</p>



<p><em>_Blink_</em></p>



<p>The darkness of the other side enveloped her, and the lizard’s silver light moved away. She felt how relieved her scaly companion was to be rid of her. Annie’s lesson that day was to recognize each creature’s different lights by sight. Instead, she had chosen to play, stayed out too long, and was dog-tired. The shining thread that bound her to the world of flesh grew taut, demanding her return.</p>



<p><em>_Blink_</em></p>



<p>She lay still, eyes shut, her breathing shallow, and waited. Her arms and legs were cold, heavy, and tingling. Annie wanted to sleep, but she had to get up and move.</p>



<p>She was in trouble; she knew it, if not from Mama, then from Grandma Ochuca for skipping her chores and the lesson. Of the two, she would accept Mama’s any day. Annie had been training for years, but Grandma was never satisfied.</p>



<p>Annie was four when the dreams had begun. Dreams, sometimes nightmares, of being one creature and then another. It wasn’t until she was six that she had discovered the truth. They were not dreams. One night, she had a dream about their cat, Espina. She had watched through Espina’s eyes as the cat stalked a mouse in the kitchen. When Espina pounced, Annie had felt her claws and teeth tear into the mouse’s flesh. She had awoken screaming.</p>



<p>The following morning, Espina had sat at the bottom of the stairs, proudly displaying the mouse she had killed the night before. Slowly, the veil between the waking world and the other side had parted. Annie had learned that she could move from creature to creature and bend their wills to her own.</p>



<p>One day, while exploring the other side, she had strayed too far and had got lost. She had panicked and flown in one direction and then another. The silver thread that had always led her home had stretched and faded. Adrift in the cold blackness, she had felt her connection with her body slipping away. That was when she had encountered Ochuca for the first time.</p>



<p>Ochuca had come like four horse-drawn wagons hurling down a winding, steep switchback trail. Her light was brighter than all the creatures’ lights combined. Annie had tried to flee, but her strength had left her.</p>



<p>A giant, shining, slithering rattlesnake had circled her. Its scales were as white as snow. Its glittering gold eyes were the size of dinner plates. When its fanged mouth had opened, a blood-red tongue had flicked from it and cracked like a whip. Her hiss was louder than a rushing river, and her rattle was like thunder.</p>



<p>It had circled her closer until she could almost touch the white scales. Annie had screamed a soundless scream, choked with panic and fear. And then a sense that no harm would come to her had washed over her.</p>



<p>The great rattlesnake’s thoughts had formed in her head. She said to call her Ochuca, which meant “grandmother” in the language of Mama’s people. Ochuca had returned her to her body and waited until she had woken up before leaving. As she had sped away, she had hissed and told Annie she had much to learn.</p>



<p>She had been afraid to tell Mama right away. When she finally did, Mama had made her promise never to tell anyone. Ochuca was the people’s guardian spirit, and few could hear her, much less cross over to the other side. Ochuca had saved her, so Annie was indebted to her. The thought had terrified her so much that she had stopped traveling to the other side for a while.</p>



<p>Soon, Ochuca’s rattles thundered in her head and commanded Annie to come to her. Grandma taught her the other side’s ways, and said that in time, Annie would become ‘Kukini’ —a respected one. Grandma gave Annie the name Waheia, which meant troublesome because that was what she was. Five years had passed, and Grandma Ochuca taught her the old ways, but she was not always the best pupil.</p>



<p>She was so cold.</p>



<p>Squinting against the sun’s setting rays coming through the stable doors, she sat up. Straw stuck to her hair and clothes from lying in the hay. There were times she wished she never had to come back. There were no chores, no parents to badger her, and no little brother to watch. Mama kept saying she was special. But if that was so, why did she still have to wash and mend clothes, collect firewood, and clean the guests’ rooms?</p>



<p>It was not fair.</p>



<p>Annie rubbed her legs and arms to get warm. She walked stiffly into the sunlight, picking bits of straw from her hair. In the courtyard, her brother Sean chased chicks in circles until he was so dizzy he fell over laughing. He was only six and still allowed to play, but soon, he would have help with the chores.</p>



<p>Papa was the roof of the smokehouse, nothing more than a pile of old timbers hammering on a board. He was constantly fixing things to keep the old inn from falling apart. From inside the Inn, she could hear Mama’s singing. Annie knew, regardless of the time of day, that Mama’s smile would be waiting for her. Well, possibly not today because she had skipped her chores.</p>



<p>A chill wind blew off the desert, promising a morning frost. Ochuca would give her heck the next time she summoned her.</p>



<p>“A rider is coming,” Annie rasped hoarsely.</p>



<p>Papa looked up from his work toward the gate. “I don’t see anybody,” he said, shaking his head. “Annie, darling, where have you been?”</p>



<p>“Just playing, Papa,” she said, giving him her sweetest smile as she passed.</p>



<p>Papa shook his head and got back to work.</p>



<p>She leaned against the gatepost and gazed out at the road. Papa knew she was different but refused to acknowledge it. More than once, she had heard Papa argue with Mama about Indian superstitions. Mama said he believed in the white man’s God. And that their ways belonged to the evil spirit the whites called the Devil. Mama was happy that the inn was far from Capistrano. Any closer and Papa would have forced them to go to the church and school of the Black Robes.</p>



<p>The minutes passed, and she heard the faint clop of a horse’s hooves, and the stranger came into view. Papa looked up from his labor at the sound of the approaching rider and glanced at her as the man rode through the gate. The stranger pulled up the reins as he stopped in front of Papa.</p>



<p>“You look done in, friend,” Papa said, staring from the stranger to the horse. Fresh red spur welts crisscrossed old scars on the horse’s flanks.</p>



<p>The stranger took in the courtyard and the open door leading into the inn. The sun settled behind the mountains to the east, and the air began to cool. Annie could feel a cloying heat radiating off him.</p>



<p>The stranger spoke, but without looking at Papa, “Nice place.”</p>



<p>“I am Timothy O’Malley,” Papa said. “You’ll not find a better inn between Capistrano and San Diego if you don’t mind my saying.”</p>



<p>“A room, food for me and the nag,” said the stranger, as he eyed Papa up and down, “and mezcal if you got it… Timothy O’Malley.” He swung from the saddle with a loud grunt.</p>



<p>“We have all three,” Papa said, grabbing the skittish horse’s bridle and stroking its neck. “Anne darling, show our guest inside.”</p>



<p>The stranger untied his gear from the horse and followed her. His Spanish-style spurs jingled out a cheerless tune. He was a big man, as big as Papa, maybe bigger. As they reached the door, Sean ran up and skidded to a stop. He stared up at the man and smiled.</p>



<p>The stranger glowered at Sean until his eyes became slits and snorted, “Boy, you’re a breed, aren’t you?” he whispered.</p>



<p>He dragged the back of his dust-encrusted hand across his mouth. A toothy snarl showed through his fingers. He rested his free hand on the butt of his pistol and tapped the hammer with his thumb. Sean’s eyes followed the stranger’s hand, and his lower lip trembled.</p>



<p>“No English, little breed?” he growled and squatted so they were eye to eye.</p>



<p>Sean winced and blinked, his eyes widening in fear. A single tear wound down his dirty cheek, leaving a swath of light brown skin in its wake. A satisfied chuckle rumbled from the stranger’s throat. Annie stepped between them, shielding Sean from his taunts. She could feel Sean’s fingers grasp her leg like tiny fishhooks. She kept her eyes on the ground, not wanting to meet the man’s gaze.</p>



<p>“Now, what do we have here, an Indian lover? Wait, don’t tell me, is this breed your kin?”</p>



<p>Annie was about to reply when he took her chin in his hand and pushed her head back. She twisted loose, and their eyes met. The hard lines on his face softened, and he chuckled. Ochuca’s rattle echoed in her head. She felt his emotions from that one touch like a black fog, wanting to swallow her. He smiled, patted her head, and pushed past them into the inn.</p>



<p>Annie wanted to grab Sean and run and hide. Instead, she turned, placed her hands on his shoulders, and told him everything was all right. Sean grinned, wiped his cheek, and hugged her around the waist. She pried him off and shooed him away to help Papa.</p>



<p>As she entered the great room, the smell of roasted chicken, rice, and beans wafted in from the kitchen. The stranger stood with his back to her. He surveyed the room until his eyes fixed on the bar and liquor bottles. He tossed his gear on the nearest table, walked behind the bar, and helped himself to a bottle of mezcal. Annie heaved the heavy steel-hinged wooden door shut with a loud creak. Then she stepped into the shadows, her back pressed against the cold adobe wall.</p>



<p>Mama’s singing drifted in from the kitchen. He uncorked the bottle, sniffed, and crossed the hall to sit near the stone fireplace. He yawned, then lifted the bottle to his lips and drank deeply of the amber-colored spirit.</p>



<p>“Muy bueno!” he bellowed and smacked his lips several times. “Girl, tell the cook your guest hasn’t eaten since this morning. Be quick about it.”</p>



<p>He acted like the Spanish tax collector, Señor Del Anza, as if the inn were his personal property, not Papa’s. She wanted to tell him to leave, but she obeyed and headed to the kitchen. Mama met her in the doorway. A tight-lipped look of concern creased her face.</p>



<p>“What is all the yelling about, Annie?” she asked, having caught sight of the stranger.</p>



<p>“Mama, we have a guest, and he’s hungry.”</p>



<p>Mama studied the stranger. The crow’s feet around her eyes deepened as she squinted. She wiped her sun-darkened hands on her apron. Then touched the leather pouch hanging around her neck.</p>



<p>Does she sense it?</p>



<p>“Light the evening lamps, Annie,” she asked as her hand dropped from the pouch.</p>



<p>A chill ran down Annie’s spine as Grandma’s rattles echoed in her head. Mama turned her back and walked away. He spat on the clean tile floor. Annie imagined that she saw tongue-like, dark wisps follow her as she retreated to the kitchen. She closed her eyes, and when she opened them, they were gone.</p>



<p>His eyes followed her around the room as she lit the lamps. She smelled of liquor and stale sweat as she lit the lamp on his table. He smiled oddly at her, and his face flushed with color. It reminded her of the smiles Papa and Mama traded on those nights when they went to bed early.</p>



<p>“That Indian, your mother?” he asked, leaning across the table as if to snatch the answer from her.</p>



<p>She lurched back and almost stumbled into Mama, carrying a steaming plate of food. Mama stopped short of the table, set the plate down, and slid it toward him, careful to avoid his eyes. His head rocked from side to side, taunting her to look at him. Then, he tilted his head back and laughed. Annie stepped in behind Mama.</p>



<p>“Do I scare you, woman?” he slurred. His gaze was as vacant as a dark corner in an abandoned house. “Are you Serrano or one of those tamed Gabrielano, maybe?”</p>



<p>“No, señor,” she said, but her eyes said otherwise. “My people are Juanero, from near Mission Capistrano.” Her hand searched behind her for mine.</p>



<p>The stranger slapped his thigh, chuckled, and mumbled something about ignorant Indians. Mama turned and gently pinched Annie’s cheek. A shiver ran through Annie as Mama gestured with her eyes toward the kitchen.</p>



<p>“What did I tell you about getting underfoot? Go now and tell Papa that supper is ready before it gets cold. Hurry,” she shouted, pushing her away.</p>



<p>Her shoes thudded dully on the tiles as she ran through the kitchen and out the back. Espina slipped inside as the door swung shut. A sparrow dangled by its wing in her mouth.</p>



<p>Sean’s laughter echoed in the courtyard as Papa burst from the stable. Sean rode on his shoulders, yelling, “Giddy-up!” Papa galloped across the courtyard, dipping and rearing like a wild stallion. As he barreled toward her, he let out a whinny that turned to laughter. Sean slid from his back as he stopped before her and ran ahead.</p>



<p>Papa took her face in his rough hands. “Darlin’, your skin is like ice. Get inside before you catch your death from the cold.”</p>



<p>Annie grabbed his hand and said, “Mama says your supper’s ready.” She whimpered and blurted out, “The stranger is drinking.” She wrapped her arms around him and began to tremble.</p>



<p>Still so cold.</p>



<p>Papa pulled her close and said, “Darlin, there’s nothing to fear. Our guest is just tired and needs some company.” His shoulders hunched as he walked away with her.</p>



<p>Don’t trust him, Papa—he’s broken.</p>



<p>As Annie set the table, she could see the stranger stuff food into his mouth between sips of mezcal. Mama seemed relieved when Papa placed his big, calloused hands on her tiny shoulders. They whispered to each other, and Papa glanced at the stranger.</p>



<p>“I’ll speak to him after supper, Sesia,” he said, scooping up Sean, and they went to wash up.</p>



<p>Annie placed a clay water jug and cups on the table. Grandma’s rattle rumbled louder in her head and would not stop. Grandma, please—what do you expect me to do? She stepped closer to the stove but could barely feel its warmth.</p>



<p>“Mama.”</p>



<p>“What is it, Annie?”</p>



<p>“Mama… can you hear Grandma?”</p>



<p>She closed her eyes and mumbled in Juanero. The corners of her mouth turned down. She clutched the medicine bag around her neck tightly, then, after a moment, released it. “I felt something earlier, but now…” For the briefest moment, Mama’s eyes seemed far away. She shivered as if a cold breeze swept through the kitchen. “Annie, are you sure?”</p>



<p>“Yes, Mama!” she said, grabbing hold of her skirt.</p>



<p>Before she could say more, Papa and Sean crowded into the kitchen. They sat, and Papa asked for Christ’s blessing on the food and their guest, a bit louder than usual. As Papa broke a loaf of bread in half, the stranger’s shuffling footsteps drew their attention.</p>



<p>He stood a few steps back from the doorway, his upper body hidden in shadow, supper plate held in one hand. Gravy dripped from the chipped earthenware like rain on the toe of his boot. He stepped into the light. A disarming smile hid who he was.</p>



<p>Annie’s breath caught in her throat.</p>



<p>“Missus, may I have seconds?” he asked, his words slurred from the drink. Mama got up from the table in a flurry of motion and served him. His smile changed briefly to a snarl, like when his spurs dug into his horse.</p>



<p>He shifted his gaze to Annie and stared into her eyes. Her vision blurred as if a cloud of smoke obscured him.</p>



<p>Papa looked up and said, “Forgive me. I have been a thoughtless host. I will join you for a drink and a smoke later.”</p>



<p>The stranger nodded and accepted the plate from Mama.&nbsp;“Thank you kindly, Missus O’Malley,” he said with exaggerated respect. “I look forward to that, Mr. O’Malley.” He winked at Annie as he turned to go.</p>



<p>Annie began to tremble. Her stomach knotted up something terrible. It became hard to breathe. Ochuca’s summoning rattle roared. She covered her ears, squeezed her eyes shut tight, and prayed it would stop. But it did not… So cold.</p>



<p><em>_Blink_</em></p>



<p><em>_Why have you summoned me?_</em></p>



<p><em>_Look, Waheia_</em></p>



<p>Ochuca’s rattles shook high above her scaly head—she hissed. Beyond her wall of scales, Annie saw a bloated shadow enveloping the stranger’s light. Dark red pulsing tendrils stretched toward Mama, Papa, and Sean’s lights.</p>



<p><em>_What is it?_</em></p>



<p><em>_See what I see, Waheia_</em></p>



<p>She peered into Ochuca’s golden eyes, and she knew. It was a Soul Eater. An evil spirit that stole the light of the living, extinguishing them forever.</p>



<p><em>_Grandma, save us_</em></p>



<p><em>_I cannot pass between our worlds_</em></p>



<p><em>_Then let me go_</em></p>



<p><em>_Waheia, you will all die… Stay, and I can protect you_</em></p>



<p><em>_No, please let me go_ </em>Annie pulled away. Her silver tether became her lifeline back to the world of flesh.</p>



<p><em>_Blink_</em></p>



<p>“Annie, wake up,” Papa said. “She’s ice cold.”</p>



<p>“It’s all right, little one. Mama’s here. Annie… Annie, open your eyes.”</p>



<p>She could sense Papa lifting her off the tile floor and carrying her away. The pounding of Papa’s heart drowned out their voices as her head rested on his chest. Then, her bed’s familiar embrace welcomed her as Papa laid her down.</p>



<p>She was so, so cold.</p>



<p>Mama chanted in Juanero, and her voice faded into the fog. Annie shivered so hard that she thought it would never stop.</p>



<p>“Husband, fetch a bucket of hot coals from the kitchen. She is freezing,” she continued to chant.</p>



<p>Mama stopped her chant and pressed her hands to her ears. It was the thunder of Ochuca’s rattles demanding her return. It felt like it would shake the inn to pieces.</p>



<p>It took all her concentration to breathe. Mama stroked her cheek and whispered her name. Her breath was sweet and warm on Annie’s face.</p>



<p>She opened her mouth, and she tried to speak.</p>



<p>Mama whispered, “I hear Ochuca, Waheia. What does she want?”</p>



<p>The shiver worsened as she spoke, “Sss—ssss—sssss,” hissing over her tongue.</p>



<p>Mama jerked away and let go of her hand. The hissing grew louder in the back of Annie’s throat. From downstairs, Sean screamed. Papa and the stranger shouted at each other, and a pistol shot exploded. The last thing Annie saw was Mama’s back as she ran from the room.</p>



<p><em>_Blink_</em></p>



<p><em>&nbsp;_No_</em></p>



<p>Ochuca’s coils squeezed her. Annie strained against them, trying to break free. The more she struggled, the tighter they became and the sadder Ochuca was. She could feel Ochuca’s love and desire to save her from oblivion.</p>



<p>She watched as Sean and Papa’s lights flickered. The stranger’s dark shadow hovered over Papa, smothering him. Mama’s light came into sight and merged with Sean’s, and they fled.</p>



<p><em>_Then let me go_</em></p>



<p>Once more, she tried to follow her silver thread to her body, but it flickered and went out.</p>



<p>Sadness radiated from Ochuca as she released her.</p>



<p><em>_Why had she wandered so far today? Why had he not done as she was told?_</em></p>



<p><em>_Go Waheia_</em> And she turned to face the Eater.</p>



<p>Annie searched for a light that could serve her needs. A quivering pinprick of light hid in a corner of the great room. It was Espina, their cat. With regret, she dove into Espina’s flesh like a thief. Espina shrieked in agony as Annie took her. The cat’s soul shattered into pieces like a clay pot.</p>



<p><em>_Blink_</em></p>



<p>She could feel the hair on Espina’s back rise. Her spine arched, and her claws extended. Through a forest of table and chair legs, she saw Papa on his knees. The stranger held him by his collar—a knife to his throat. Blood dripped from between Papa’s fingers where a bullet had ripped through his side. A throaty yowl came from Espina’s mouth.</p>



<p><em>_I am coming, Papa._</em></p>



<p>“Hey, stay awake, Mr. O’Malley,” the stranger yelled, slapping Papa across the face. “Or you’ll miss all the fun once I find your Juanero whore and half-breed brats.”</p>



<p>“No, please, I have money. Take it,” Papa begged.</p>



<p>“You are stupid, Indian lover,” he growled, waving the knife in his face like an accusing finger. “I don’t want your money.”</p>



<p>Annie took a few cautious steps. She had done this so many times with Espina when stalking prey. Her vision narrowed and sharpened. The taste of the sparrow Espina had eaten earlier was still on her tongue. She had new prey now.</p>



<p>The stranger whispered into Papa’s ear. Tears flowed down Papa’s sunburnt cheeks. He fumbled helplessly for the stranger’s pistol.</p>



<p>The brass pommel of the stranger’s knife came down on Papa’s head, and he slumped forward. The stranger slapped him again and said, “Stay awake.” But Papa lay on the floor unmoving. “Eh, oh well.” His hand rose, poised to plunge the knife into Papa’s chest.</p>



<p>Espina’s instinct took over. Her ears flattened. The hair along her spine bristled higher. A snarl formed in her throat.&nbsp;Her claws flexed in and out of their sheaths, scratching the tile floor. Annie’s rage thrust her onto a table and into the air.</p>



<p>“Yyyeee-Ooowwwlll.”</p>



<p>The stranger’s head snapped to the side as she landed. She smelled his fear. Teeth and claws labored against his soft, yielding flesh. The hot, salty taste of his blood filled her mouth.</p>



<p>The stranger dropped his knife and tried to pull her off.</p>



<p>I got you!</p>



<p>They spun like drunk dancers. Crashed into the bar and tumbled to the floor. He grabbed her head. She sank her fangs deep into his thumb. He grabbed a hind leg and yanked her off, tearing away flesh as he did. Her claw raked across one eye. He shrieked in agony and held her at arm’s length. She clawed at empty air. He grabbed her neck, twisted, and bones snapped, and tendons tore.</p>



<p><em>_Blink_</em></p>



<p>The pain of Espina’s death left her dazed in its grip.</p>



<p>She could make out Ochuca’s white scales stained black in places. The Eater lashed out with blood-red tentacles, slashing her. She struck back, burying her fangs into its shadowy body. Ochuca reared up and struck over and over. With each bite, the Eater shrank until Grandma’s jaw opened wide and swallowed it whole.</p>



<p><em>_Go._</em></p>



<p>Annie searched for the nearest knot of bright lights. She moved from one unwilling creature to the next, searching for the one that could make a difference. Fragments of sound echoed around her. She smelled dung. The shrill shriek of hens. The tortured bray of their donkey. The squeal of the pigs as they tried to escape the madness of her passing. Then, one light larger than the others was before her, and she crashed into it.</p>



<p><em>_Blink_</em></p>



<p>“Come out; you can’t hide from me,” the stranger screamed from the courtyard.</p>



<p>The sound of the stranger’s voice made this body tremble with terror. Four powerful legs held her up. She had taken his horse. The horse’s will melted away, and all its tormented memories at its master’s hand poured into her.</p>



<p>A pistol shot rang out.</p>



<p>Annie could see the stranger drenched in moonlight through the stable’s open doors. A red halo surrounded his ruined face. He swayed drunkenly, moaning. He fired his last shots at an imaginary attacker. He dropped the pistol, unsheathed his knife, and strode toward the stable.</p>



<p>“If you don’t come out, squaw, I’ll finish off that husband of yours,” he growled.</p>



<p>Annie reared up on her hind legs and smashed her head into the thatched roof. Then she rammed the stall’s gate. It creaked and splintered but held.</p>



<p>“I hear you in there,” he shouted. “You thought you’d get away?”</p>



<p>He searched each stall and lunged at shadows. Finally, he reached hers. Annie tried to control the horse’s trembling and her fury.</p>



<p>He gazed into the stall with his remaining eye and gripped the latch pin. Annie shifted from hoof to hoof and backed up, as he would expect. He grasped the latch pin, cocked his head, and listened. From outside, she heard Sean’s muffled crying. A look of glee spread across the stranger’s tortured face as he turned to leave.</p>



<p>Annie sprang forward and drove her muzzle into his chest. He staggered back and pulled the latch pin free. The gate swung open, and she charged. He looked confused. She guessed he could not believe his horse would ever dare to challenge him.</p>



<p>Annie bit his shoulder. The stranger slashed and stabbed with his knife. Annie reared up, and her hooves rose and fell again and again.</p>



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<p>Papa shoveled dirt onto the stranger’s shallow grave beyond the outhouse and spat into it.</p>



<p>Favoring his wounded side, he walked to where Mama sat under a big oak, Sean beside her. She cradled a lifeless, shroud-wrapped child and sobbed. Not far from the tree was another grave.</p>



<p>Papa didn’t say a word. Tears filled his eyes as he stroked Mama’s hair and pried the body from her unwilling grasp. A small, pale, delicate hand slipped from under the shroud as he lowered her into the grave.</p>



<p>Mama got to her feet and swayed unsteadily. She drew Sean into her arms. A purple, swollen bruise marked Sean’s face from jaw to brow, and a bandage circled his head.</p>



<p>It was becoming harder for Annie to see. She, like Mama, swayed unsteadily on the horse’s legs. Warm blood trickled down the horse’s chest from the deepest stab wound.</p>



<p>She could no longer stand and rolled onto the horse’s side. Mama gazed from the grave to the coral. Her hand reached out to Annie, and she began a sorrowful chant.</p>



<p><em>_She knows_</em></p>



<p>The horse’s breathing became ragged, slowed, and stopped.</p>



<p>Annie could hear Ochuca’s rattle call her home. Annie shook her rattle in reply and joined Grandma in the eternal night.</p>



<p><em>_Blink_</em></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Spoor</title>
		<link>https://stateofmatter.in/fiction/spoor/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:33:58 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Dark]]></category>
		<category><![CDATA[Horror]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3908</guid>

					<description><![CDATA[Lena is up with the baby already. I turn over on the couch, where I’ve curled into one corner. In the middle of the night, I didn’t have the energy to move Lena’s laptop. Instead, I just slept around it. The couch smells like dried-up white wine in one spot, something I never realized until [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>Lena is up with the baby already.</p>



<p>I turn over on the couch, where I’ve curled into one corner. In the middle of the night, I didn’t have the energy to move Lena’s laptop. Instead, I just slept around it.</p>



<p>The couch smells like dried-up white wine in one spot, something I never realized until I started sleeping here. We must have spilled it a long time ago. We haven’t had wine in the house for two years, since before the IVF, before the cycle-coded calendar in the kitchen and the evenings we’d giggled and clinked together the matching self-insemination syringes.</p>



<p><em>Cheers!</em> We’d said.</p>



<p>I squint into the living room, listening for the baby’s whimper as I look at the time. It’s 5:30, which feels like a blessing. Four hours of sleep. I’m sure Lena got less.</p>



<p>The baby sounds rise and fall, closer. Under them, I hear Lena’s slow footsteps padding down the hallway. There’s a sear of guilt as I consider, split-second, whether to pretend to be asleep still. But then they’re here in the room.</p>



<p>“Good morning, mama,” Lena murmurs, more to the baby than to me.</p>



<p>“Good morning, mama,” I say back, smiling.</p>



<p>As always, when the baby is actually here, in front of me, with her tiny wiggling shrimp fingers and her face squashed up in the huge effort of crying or gurgling or smiling, I melt.</p>



<p><em>What’s happening to me?</em> I’d said to the delivery nurse, when I felt my eyes overflow all at once, nothing like the crying I was used to.</p>



<p><em>Welcome to parenthood,</em> she’d said. It felt practiced, tailored to the bewildered men she was used to seeing in the delivery room. Not to me, who could have been in Lena’s place if it had gone that way.</p>



<p>“I’m going to make some decaf,” Lena whispers to me. The baby is settling into her chest, little face slack over the edge of the wrap Lena wears to hold her close, to be one being. “Will you do the bottles?”</p>



<p>I nod and roll out of the throw blanket that I’ve gotten used to sleeping under. Lena sways toward the kitchen, her soft hums keeping the baby quiet. As I turn to fold the throw—a semblance of the normal, neither of us want to talk about how I’ve been sleeping out here—I see them.</p>



<p>Four wet shapes on the floor in front of the coffee table.</p>



<p>Smudged half-circles I can only see because thin light through the living room window catches them.</p>



<p>I gaze around the room, trying to identify the source. My face feels slack with sleep and confusion. Maybe I spilled a glass of water as I moved the coffee table in the night, half-awake? But, no, it rests on modern, square legs. Too heavy for me to have shoved it semi-conscious, and the wrong shape to leave those marks. And there is no glass of water.</p>



<p>“Did you move the crib last night?” I whisper to Lena when I’m in the kitchen, rinsing bottle rings as she clicks on the coffeemaker.</p>



<p>She frowns at me over her shoulder.</p>



<p>“From our room?” she asks.</p>



<p>It stings to hear her say <em>our room</em>. It is ours, but I’m on the couch now and she’s with the baby. I wonder if that’s what she means, even by accident: her room and the baby’s room. <em>Ours</em>.</p>



<p>“Yeah,” I say. “It looks like something got moved in front of the coffee table.”</p>



<p>“What do you mean?”</p>



<p>“Marks on the floor,” I say. “Did we spill something?”</p>



<p>Lena shakes her head in the same gentle cadence that she approaches every movement, now. Back and forth, quiet and smooth. Serene. I feel like I can’t keep up with it.</p>



<p>“Maybe we have a leak,” she says, handing me a mug.</p>



<p>The baby makes a quiet little sound and a fist emerges from her onesie to curl toward Lena’s hair. I take a sip. Decaf coffee tastes the same as regular, to me.</p>



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<p>It takes almost until evening for me to remember to check the living room ceiling. The baby is restless today, a continuation of last night. Lena tries to open her laptop for the third time only for the baby to wake and squeal again.</p>



<p>“I thought you were on maternity leave,” I say, trying to tease gently. I worry it comes out shrill.</p>



<p>“Just a couple of emails,” she whispers, reaching for a bottle as she pulls the baby into her arms, balancing the open computer.</p>



<p>“They should know better than to email you,” I say. “Let me take her.”</p>



<p>Lena hesitates a millisecond too long.</p>



<p>“Thanks.”</p>



<p>The baby is always warmer than I remember. Even though I touch her dozens of times a day—when Lena showers, when she wants to change her clothes or stretch her arms&#8211;it’s as though my skin forgets. And my nose forgets her smell, which up close is overpowering, the raw scent of brand-new flesh, of being completely alive. I kiss her forehead and try to ignore how immediately she returns to fussing in my arms. I whisk her away into the kitchen to defrost the 4pm bottle. I try to replicate Lena’s soft sway as I walk and it feels clumsy in my hips.</p>



<p>Lena takes a half hour to frown over her laptop. The baby, meanwhile, naps fitfully in my tired arms. I don’t know what to call it when, dozing, she turns her sucking mouth to my breast. I know that I scowl and then turn red, ashamed.</p>



<p>When Lena joins us, a thin crease has appeared between her eyebrows. It’s the face of the old Lena, the Lena who would stride through the front door promptly at six, who would lean in to kiss me at my desk, who would regale me with complaints about her coworkers over dinner, to my delight.</p>



<p>Her reading glasses are still on, giving her eyes a slight distortion that makes me love her with such violence I’m surprised at myself. I lean over the baby’s head.</p>



<p>“You’re so beautiful,” I whisper.</p>



<p>Lena rolls her eyes.</p>



<p>“Never prettier than when I’m wearing nipple guards,” she says.</p>



<p>But she kisses me anyway, lingering in a way that weakens every joint in my body. Her mouth tastes like the syrupy tea our doula gave her. I watch the crease smooth itself as she nestles the baby onto her shoulder. And then they both are gone.</p>



<p>The new Lena, born with the baby, floats on something I can’t see, a buoyancy in her movements that gently bobs her away from the shore, out of reach.</p>



<p>I pull out the stepladder and haul it to the living room.</p>



<p>The ceiling is dusty. Cobwebs form tracery against the stucco. I find several things I need to do—fix a piece of crown molding that’s coming loose, replace the batteries in a smoke detector, repaint—but I don’t find a leak. I even check around the casing of the ceiling fan’s motor, wiping lint from its blades which falls like snow. But the ceiling is unblemished, and there are no signs that anything has dripped through it and onto the floor.</p>



<p>From the stepladder, I can barely see the smeared shapes, but when I climb back down, the light hits them again. Four sloppy curves, evenly spaced. They’re not water stains, I realize, or not just water. They’re greasy, like oil wiped by a rag. One of them is crusted with a thin rind of mud, as though tracked in and left there, but there is nothing in any other direction.</p>



<p>I sweep up the lint and spray down the smears with cleaner. When I come back with a handful of paper towels, I can’t even see them anymore.</p>



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<p>That night, I make soup for Lena with as many beans and vegetables as I can. My body feels hollow from lack of sleep, and I can only imagine the wear on hers. It’s hard not to compare how I think I’d do in her place.</p>



<p>There were pros and cons for each of us, but we’d agreed it was lucky that Lena had conceived instead of me. Her company’s maternity leave was generous, whereas my freelance work was spotty at best. And so that was the reason we clung to, along with little things: the year difference in our ages, Lena’s family a few hours closer than mine. But we both knew the real reason: that she was better at hard things.</p>



<p>It was my hands that had gone numb as she pushed through the tenth hour of labor, and it was me that the nurse handed a cup of juice to, saying I looked pale.</p>



<p>When dinnertime comes, Lena doesn’t eat the soup because the baby can only settle when she’s bounced on tiptoes. I offer, half-joking, to feed Lena spoonfuls as she bobs.</p>



<p>“I’ll get a bowl in a bit, when she’s down,” she whispers. “Smells amazing.”</p>



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<p>Much later that night, I awake in a panic.</p>



<p>Before my eyes are open, I’m thrashing to get my legs untangled from the couch throw. The baby has screamed louder than I’ve ever heard her, and my heart pounds in my throat. But as I struggle to sit up on the couch, I realize the house is silent. I stiffen and wait for the next round of cries. I listen for Lena. But all I hear is the soft click and hum of the refrigerator’s compressor and the faraway whir of the white noise machine that Lena plays for the baby. I must have dreamed the scream.</p>



<p>I blink into the dark living room, waiting for my breath and pulse to calm, trying to make out the bleary shapes around me.</p>



<p>And then, one shifts.</p>



<p>Just slightly. An adjustment. The rise of a spine with a breath.</p>



<p>I do not move.</p>



<p>I know I am mistaken. I must be. My eyes dart to the curtains that I forgot to pull closed all the way, so that they billow in the air from the vent. When my eyes slide back, the shape has resolved itself—a heaped blanket with one of the baby’s slings sprawled on top of it—and I’m alone.</p>



<p>I squint at the heap through my lashes, trying to recreate what I thought I’d seen. But it stays gone, the objects insensate. They do not breathe again.</p>



<p>I fall back asleep. It takes a long time. The baby sleeps through the night.</p>



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<p>“You can always just get her flowers,” my mother says through the phone.</p>



<p>I am loitering in the detergent aisle. We don’t need detergent, but I’ve already put the fruit Lena asked for and all the other things on the list into the cart, and the conversation doesn’t feel finished.</p>



<p>“They’re nice,” she’s saying, almost defensive. “It’s a cliché for a reason. That’s what your father did, and I always loved them. Keep it simple.”</p>



<p>“That’s true,” I say, trying to remember Lena’s favorites. Lilies? “I guess… I don’t know, for her first Mother’s Day I want it to be special.”</p>



<p>“Sweetheart, you’re going to do this every year. Next year with a toddler, and then the macaroni art starts to come home from preschool and that’ll be better than anything you could buy her.”</p>



<p>She’s doing something in the kitchen. I can hear cabinets opening and banging shut. I picture her pinching her cell phone between her shoulder and ear, like I’m doing.</p>



<p>“Bottles every four hours, still?” Mom asks.</p>



<p>“She slept almost seven hours last night,” I say proudly, like I’m supposed to. My mother is excited to hear this.</p>



<p>“Isn’t it so sad when one stage is over?” she says. “You miss it, even though you couldn’t wait to be done.”</p>



<p>Mom promises to text me a website that has the kind of lilies she remembers Lena ordering for our wedding.</p>



<p>“And get yourself something, sweetie,” she adds. “You’re a mom, now, too.”</p>



<p>When I get home, Lena is asleep on the armchair with her feet up on the coffee table, the baby napping on her chest. They’re beautiful together, matching in soft beige without meaning to, dappled in the afternoon light. I feel for my phone to take a picture. Something to send to my mother, though I realize it’ll mean keeping the picture myself. I don’t think about that. One of the grocery bags rustles in my hands and Lena opens an eye.</p>



<p>“How’s the world?” she murmurs.</p>



<p>“You’re not missing anything,” I whisper, snap a picture, hit send.</p>



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<p>I stare at the ceiling fan. Dim light filters in through the curtains from the street lamp. A shred of lint that I missed hangs off of one of the blades.</p>



<p>I had promised myself, locking eyes with my reflection as I brushed my teeth, that I wouldn’t check the time. I remember the deep breathing exercises I’d learned from an online video years ago, and resolve to try them instead, letting breath fill my lungs and press against my taut diaphragm. Hold for a moment. Then out in a hiss. The video had dissolved into slow-motion footage of waves crashing against sand, and I close my eyes, trying to picture them as I breathe in and out.</p>



<p>As I slide into sleep, the sound of my breath twists and doubles into a sound like the rush of water at the edge of my consciousness, filling the room.</p>



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<p>In the morning, my hands are still clasped to my ribcage where I’d placed them to measure my breaths in. On the floor, the prints, greasy and caked with thicker mud, are back.</p>



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<p>“Have I ever sleepwalked?” I ask Lena.</p>



<p>I’m picking up each of my shoes, looking for grime. She’s feeding the baby in bed, a curved pillow wrapped around her like a cloud. She looks up at me and I see the bliss drop from her expression slightly.</p>



<p>“No,” she says. “Why?”</p>



<p>“These marks keep showing up on the floor,” I say. “It’s not a leak. I checked.”</p>



<p>Lena shakes her head slowly.</p>



<p>“Maybe you tracked something in when you shopped yesterday?” she said. “I bet we’re just too tired to notice. Things are going to fall by the wayside for a while.”</p>



<p>I nod, but I don’t agree. She doesn’t seem tired at all. She is doing so much. The least I can do is keep the house together.</p>



<p>“I’m going to mop again,” I say. “Do you need anything?”</p>



<p>She smiles at me, looks down at the baby who swallows softly and grips the bottle in her tiny fist.</p>



<p>“I’m all set.”</p>



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<p>The marks on the floor are clearer. This time, before I spray them down and fill the mop bucket, I examine their shape. They are heavy on one side and delicate on the other, as though whatever made them was leaning off-kilter. And there are small splits down the center of each that remind me of something I can’t place right away.</p>



<p>When I’m filling the mop bucket, I remember the summer in my early teens that I spent at a wilderness camp, where we earned points for correctly identifying animal tracks from a chart. Graceful crescents for whitetail deer, skinny cat-paws for red fox, cloven lobes for bison.</p>



<p>I stare at the prints now, bottle of cleanser in hand, blinking. In the split-seconds between my eyes opening and closing, I try to conjure whatever creature I imagine leaving these tracks. Do I see afterimages shimmer behind my closed eyes? Gnarled legs, jet-black and dripping, thick-knuckled and long. I know I am imagining them, but they are clearer than anything I’ve imagined before. Images shift and warp in my mind, usually. These stay. I close my eyes as long as I dare. A few seconds, and then my pounding heart forces them open. I spray the floor down again and leave the mop there.</p>



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<p>At five, I take out the package of frozen ravioli, but I forget it on the counter. When the washing machine chimes, I gasp and realize I’ve been sitting on the couch for almost an hour. I rush to switch the laundry and start a pot of water boiling before Lena and the baby wake up from their nap.</p>



<p>When Lena comes in, her hair is tied back in a bun, her glasses pushed to her forehead, and her phone in her hand. The baby is wriggling in her sling.</p>



<p>“You’re not going to believe this,” she says. She doesn’t whisper. She’s right there.</p>



<p>“What?”</p>



<p>“I swear,” she says, “They can’t do <em>anything</em>.”</p>



<p>Pacing with the baby as I chop an onion for sauce, Lena details the disaster unfolding at her workplace. The someone or someones assigned to cover Lena’s HR management role in her absence have fumbled their jobs so badly that a former employee has filed a lawsuit, throwing the company into crisis.</p>



<p>“<em>Unbelievable</em>,” I sneer, gleeful. The gossip feels precious, the laughter between us at others’ expense a balm. I’ve missed this more than I can bear.</p>



<p>“But,” she grins, “You’ll never guess what else.”</p>



<p>I widen my eyes. I am her audience and my attention on her is rapt.</p>



<p>“They offered me half-time to help organize everything for the lawyers. They’ll pay me for full-time, <em>plus</em> overtime, <em>plus</em> they’ll grant me additional leave.”</p>



<p>Lena caresses the baby and talks on about the timeline of the suit, the benefit to her resume, the validation that she is indispensable to the company. I smile approvingly. I ignore the heat in my face and the spikes in my throat.</p>



<p>“It does mean,” she says, “That I’ll need to leave the baby with you while I’m at work for a few weeks. Just a couple hours a day. I hope that’s okay. They’re offering <em>so much</em> money. It has to be worth it.”</p>



<p>I nod vigorously, blinking water from my eyes. I wince at the tang of onion and the taste of salt.</p>



<p>“Of course,” I say, and then the lie tumbles from my lips. “What could be better than more time with my favorite person?”</p>



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<p>That Wednesday, the house sounds different.</p>



<p>Lena is up early, and all the lights in the kitchen are on. The radio reports the news, and she pulls out the stepladder to get the regular coffee pods out of a cabinet.</p>



<p>“I pumped already,” she says, winking. “There’s more than enough milk in the fridge for today.”</p>



<p>She pours coffee into a tumbler, grabs her keys, and is gone.</p>



<p>The baby frowns up at me from her bouncer, squinting in the bright light.</p>



<p>From the kitchen, I can see the tracks on the floor in the living room, in front of the coffee table.</p>



<p>The baby cries almost all day. I do not go into the living room. The prints are still there that night.</p>



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<p>I sleep with my arms folded around my head, covering my ears. All night, I keep waking to the sound of something very loud, but very far away, a crushing roar like a waterfall.</p>



<p>At dawn, I peer under my forearm and think that I see an eye, huge and black, glistening and soaked.</p>



<p>I do not breathe until Lena bustles in to hand me the baby and kiss me as she breezes out the door.</p>



<p>Nothing is there when I look back.</p>



<p>“Have a good day,” I whisper, but the door is already closed.</p>



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<p>Today the baby screams at me nonstop as I try to give her a bath. I give up, shaking and sobbing, and pat her down with baby wipes while she howls. Her little face contorts and turns red, then nearly purple. I back away.</p>



<p>“I’m sorry,” I plead. “Please, I’m so sorry.”</p>



<p>She purses her lips when I try to give her a bottle, later. She kicks me when I change her. I’m sweating through my clothes by the time Lena comes home.</p>



<p>She takes the baby from me without a word.</p>



<p>I scrub the living room floor until my cuticles bleed. The tracks do not disappear.</p>



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<p>The baby cries throughout the night, and I lose count of how many times I hear Lena get up to soothe her after the first dozen.</p>



<p>It is darker than usual, and I realize that the streetlight has gone out. I stare across the living room and do not flinch when it appears.</p>



<p>All of it.</p>



<p>Skinny, contorted legs lead up to a body twisted with jutting bones, at once heavy and emaciated. An angular head with one bleary eye that sees nothing and another that gazes at me, shining, wet, and huge. Whether the thing drips with water or some greasy tar I can’t tell, but the whole of it is a smear, dribbling down limbs to the floor below, as if oozing from the pores beneath the thick, dark fur.</p>



<p>The baby’s cries echo down the hall and the creature opens its blurry mouth. Water gushes out, more and faster than can be possible, as though draining an entire sea. I am drenched, and it is not cold but boiling and salty, and it blisters my skin and the raw flesh of my throat as it pours over me in waves. I feel pieces of myself dissolve and then I wake up for real, gasping as I wipe thick sweat from my eyes.</p>



<p>I rush to check on the baby, but Lena already has her.</p>



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<p>It is the weekend, and Lena shakes her head at me as I stumble into the kitchen well after ten.</p>



<p>“I’m sorry,” I said. “I overslept.”</p>



<p>“You look terrible,” she says. She feels my forehead with the back of her palm. “You’re warm.”</p>



<p>Panicked, I fumble for a face mask from the junk drawer, but Lena waves it off.</p>



<p>“You’re probably just run down,” she says. “I can’t imagine how hard it is to take care of her all on your own.”</p>



<p>She points me into the bedroom with strict instructions to take acetaminophen and rest. When I lie down, the bed smells like Lena, but it is not familiar at all.</p>



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<p>I am small in my fever dreams, shrunk down to half size or less. I wander around our house for what feels like hours, dream-time stretched out and disjointed. I’m looking for someone, but not for Lena, and I can’t figure out who it is. When I call out, I find my mouth doesn’t form words, and my voice sounds absurd. Our house bobs up and down as though it is floating on a river. I hear the roar of water everywhere.</p>



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<p>On Sunday afternoon, my fever breaks. Lena brings me a plate of leftovers from the takeout she has ordered.</p>



<p>“We miss you,” she says. She’s not carrying the baby. Sensible, in case I’m contagious. I wrap my arms around her and squeeze her tight.</p>



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<p>On Monday, Lena lingers in the kitchen, her keys in hand.</p>



<p>“You’re sure you’re okay with her?” she says. “You’re feeling up to it?”</p>



<p>“Of course,” I say, smiling. I’m bouncing the baby, who wiggles in her sling in my arms.</p>



<p>“Call me if you need anything.”</p>



<p>I walk around the house all day with the baby wrapped tight against me. I get the laundry done, then re-organize the kitchen and clean the bathroom. Whenever I walk through the living room, the creature stares at me and drips.</p>



<p>My mother calls, and I pinch the phone between my ear and shoulder as I throw silverware into the dishwasher.</p>



<p>“Sweetie, what’s wrong with the baby?” she asks, alarmed.</p>



<p>I hadn’t realized she was crying. I drop a handful of spoons and get a bottle out of the fridge.</p>



<p>“Gosh,” my mother says, more to herself than to me. “She sounds like how you did when you were that age. Blood-curdling, that’s what your father used to call it, when you cried.”</p>



<p>I don’t know what to say. The baby whimpers a little as she sucks down the bottle of milk, as if she’s angry with me.</p>



<p>“It’s so hard at this age,” my mother continues. “But it’s really not forever, sweetheart. You’ve just got to get through the first year, really.”</p>



<p>I don’t know what time it is. I can’t even think past the next hour.</p>



<p>“You know,” my mother says, “I sometimes used to run the faucet in the sink and turn the shower on at the same time when I couldn’t get you to settle down.”</p>



<p>My breath catches.</p>



<p>“Something about the noise of running water seemed to help,” she says, and then laughs. “Or maybe it was just that I couldn’t hear you and Lord knows I needed that little break sometimes.”</p>



<p>I don’t register what else she says. I’m running water over the dishes in the sink, and it’s deafening. The sound is all around me, and then it concentrates in the living room, drawing me to it. I drop my phone and it splashes on the floor.</p>



<p>The creature turns toward me. Its mouth is open down to its knees.</p>



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<p>Lena is shaking me. With a sting, I feel her slap across my face.</p>



<p>“What?” I shriek, “What?”</p>



<p>“Where is the baby?” she screams, her face flushed with rage. “<em>What’s wrong with you?</em>”</p>



<p>“She’s—” I flounder, looking around frantically. “She’s here—”</p>



<p>I’m soaking from head to toe, my hair dripping into my face and onto the living room floor.</p>



<p>Lena has left the front door open and I hear her crashing through rooms down the hall.</p>



<p>“<em>Why?”</em> she screams, “<em>Why is she in the bathroom by herself?</em>”</p>



<p>I don’t hear what she says next, so I don’t know where it is that she says she is going with the baby, who she has wrapped in a towel and is hugging close while she throws things into the diaper bag and clutches her keys. I can only hear the roar of water. I feel the look she gives me though—heartbreak, sorrow—like a knife to my stomach.</p>



<p>I turn to the creature as the door slams behind them.</p>



<p>It looks back at me, eyes streaming. I hear something, now. Beneath the water’s roar, I hear the whimper at last, a little cry of terror and anguish. It’s been there the whole time, an urgent pull. <em>Please.</em></p>



<p>I open my arms.</p>



<p>“Come here,” I whisper.</p>



<p>It climbs into my embrace, its sickly legs trailing down into the pool of water beneath us. It is light and fragile, and I feel the tiny warmth within it, the fluttering of its heartbeat. I smell the wet scent of its skin. It trembles against my collarbone.</p>



<p>“It’s all right,” I whisper. I rock gently back and forth. I move to the couch, and we nestle as one into the soft cushions. I find a blanket and dry us both.</p>



<p>“I’ve got you,” I say, over and over. “I’ve got you.”</p>
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		<title>Citizen Bubble</title>
		<link>https://stateofmatter.in/fiction/citizen-bubble/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:32:58 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Absurd]]></category>
		<category><![CDATA[Social]]></category>
		<category><![CDATA[Weird]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3910</guid>

					<description><![CDATA[This story first appeared as Nagorik Budbud in Prothom Aaloon April 5, 2014. Dipu sits in front of the gate as the super-shop shuts down. Much like the plastic plant kept inside a plastic pot nearby. He gets up once, to leave. But where can he go? He sits back again. The city has stitched [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p><em>This story first appeared as </em><strong><em>Nagorik Budbud</em></strong><em> </em><em>in </em><a href="https://www.prothomalo.com/onnoalo/stories/kv2ys3naoo?fbclid=IwY2xjawHrmaJleHRuA2FlbQIxMQABHdWDwGTyEDRSf0rV8lLmBQuNfgr_zKMbsNBJYf9SX9cSiigjqpYBd99jBg_aem_i2KD6TUMA0SNJe4eqm2G0w"><em>Prothom Aalo</em></a><em>on April 5, 2014.</em></p>



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<p>Dipu sits in front of the gate as the super-shop shuts down. Much like the plastic plant kept inside a plastic pot nearby. He gets up once, to leave. But where can he go? He sits back again.</p>



<p>The city has stitched one house after another, crossed one town after another, leapt past fields and rivers to reach Dipu’s childhood. His memories of the place have been unhanded by a multiplex project. Where shall he go? Home? Whose home? Which home?</p>



<p>Dipu keeps sitting. The super-shop will reopen at nine in the morning and close at eight thirty at night. It needs to be shut at that time according to the new laws of the government. Earlier it was better because it used to be almost eleven by the time the shop closed its business. Now he has a lot of free time for himself after work. Dipu doesn’t need such a lot of time. He will feel lighter if he can somehow sell all his free time. He is thinking of getting another job for the night. He can be a night guard. He doesn’t need money. Rather, he wants to get a job even if he needs to shell out money. He fishes out his phone from his pocket. He taps the buttons for a long time. He puts it on his ear and then doesn’t take it down.</p>



<p>Ma? Should I send it tomorrow? I will allow it to grow. Please have your medicines properly. Don’t be like Abba. No one grows rich saving money meant for medicines; people die this way. Abba has. Abba’s not alive, Ma. At least you stay. What? Fine, I’ll send over a sum. Ma, is my goat still there? You haven’t given away my ball, have you? Ma, I’ll come soon. You’ll wake up one day and see me standing right next to your forehead. I want to come back Ma, but I can’t for the life of me remember the way to our home. Wasn’t there a tender coconut tree right next to the tap? Now I spot a tender coconut tree in every house, but the area around the tap doesn’t match! Ma, have you hidden the tap somewhere? Or has Abba taken it with him? Ma…</p>



<p>He gets no answer from the other side.</p>



<p>Dipu puts the phone away from his ear. It has been two days since he charged it. He did put it to charge once today but forgot to switch it back on. He keeps clicking the buttons of the phone in his hand. Right now, even this seems like some sort of occupation to him. And while he clicks away, Dipu feels as though he is running on a board like that of the phone’s keypad. From zero to nine—no scope of going outside this limit. And within this space, life seems vast to him. But what he really needs to do is to reduce time to a dot and fling himself inside that dot. That dot that will have no time before or after it.</p>



<p>Dipu keeps sitting.</p>



<p>He gets up eventually. He gathers all his strength, but his legs suddenly feel numb. These days his memory freezes anytime, without a warning. He cannot recall a thing from just the day before. And when the people of this city think about their future, Dipu tries to build his past from a vacuum. He doesn’t remember if he ever had a house. His mother must have been there. There must have been a mother, since he had been birthed. And that is why he must have had a father. But what about a wife or sibling? Perhaps he has one, maybe he doesn’t. And when he thinks of a wife, the image of a child swims to his mind from the black hole that is his memory. And if he has a child, there must be a wife. Or does the black hole release the image of someone else’s child? Or that of his own childhood? Has everyone known to Dipu died? Among the millions and millions of people in this city, why doesn’t he know anyone? Is he himself alive? Do the dead have any memory? Dipu thinks that either he or others are dead. But this thought is not based on sound logic. Dipu now tries to hear some faraway sound. Some young bride is sobbing quietly. Her pillow is soaked. Dipu’s senses are suddenly so sharp that he can see everything clearly. His spirit seems to move out of his body and sit on that bed. A picture is kept on the mirror of the bamboo dressing table inside the room. It isn’t difficult for him to recognize it in the darkness. He opens his eyes and realizes that a house like this must exist somewhere in this world, a place where his photograph is kept. But where will he find that house? Why should he search for that house?</p>



<p>A dog climbs a few stairs and sits near his feet. One empty truck after another roars past him on the road in front. All the trucks carry materials for the construction of the new building. A night bird flies from the darkness nearby to the denser blackness yonder. A dream shifts from one side to the other in search of a sleeping person. Perhaps the people of this city do not sleep like Dipu, or maybe each of them has a pet dream, and a few commonplace dreams lie waiting for Dipu.</p>



<p>I had a pet dream once; I used to see it every day. Dipu says.</p>



<p>I am a pleasant dream. But no one wants good dreams now. This city has turned even dreams into entertainment. The dream says.</p>



<p>I can’t remember my dream anymore. Do dreams die like people? Dipu asks.</p>



<p>We can’t differentiate between alive and dead. We can only tell apart sleep from wakefulness.</p>



<p>And if one slips into eternal sleep? Or lies awake in perennial wakefulness?</p>



<p>The dream gets up without another word. It leaves in search of someone asleep. A person that has no dream of his own. This city has lakhs and lakhs of people who love dreaming. Dipu envies them.</p>



<p>The night doesn’t seem to move ahead. The buildings slowly dim one by one. Dipu feels like walking through the entire city today. And while walking, he wants to enter an unfamiliar house. Perhaps a woman will say—wash your hands and face and come for dinner. And after washing his hands, with great intimacy, Dipu will wipe his hands on the edge of her saree. And as if she were his own, she will not stop any of his advances. Dipu wants to embrace her once. He hasn’t hugged a woman in so long. And sitting for his dinner at the neat and organized table, he will taste the food made by someone very familiar. He will be a little absent-minded in trying to recall whose hands cooked such food. The woman will place her hands on his shoulders then. And he will break down trying to wonder if anyone had ever placed her hands on his shoulders that affectionately.</p>



<p>Dipu recalls someone. While walking the lanes of his neighborhood, he tries to remember the name. A person’s existence is incomplete without a name. While searching for that name, Dipu walks quite a distance. He decides to enter a house. He spots an old, two-floor house on the street that hasn’t crumbled yet because it is waiting to be demolished any day soon. Before he can press the calling bell, someone opens the door from inside. Dipu puts one of his feet inside.</p>



<p>Keep your shoes outside, I just swept the floor. The woman says.</p>



<p>She probably opened the door. Dipu keeps his shoes and looks at the wall, wondering what to do next. A lizard looks at him. He stares back at the lizard squarely in its eyes. He slowly builds the courage to look at the woman’s eyes.</p>



<p>What happened? Wash your hands and come for dinner.</p>



<p>Dipu looks around and locates the washbasin. He washes his hands for a long time. He moves forward to wipe his hands. The woman is not wearing a saree, she is clad in a salwar-kameez. She doesn’t have a dupatta on her. There is space for only one person at that small dining table, the rest of it is cluttered with objects. Dipu pulls the chair and sits. At the table there is a plate of rice along with two vegetable sides. When he looks closely a cockroach moves down from one of the containers, climbs his arm and enters his shirt. He sifts through the rice on the plate. The potato mash is watery; the young banana curry has dried up. While eating, he tries to recall something. No, he cannot remember. He cannot recollect the thought he had when he entered that house. And he cannot eat fast, preoccupied with thoughts about what to do after dinner.</p>



<p>Go to the room after you’re done eating. I’m leaving for the hotel. Napa Suppository is kept there. Give her the medicine if the fever increases. She will have to be admitted in the morning. Did you get money anywhere? Saying this, the woman applies a thick coat of lipstick and drapes a black dupatta on the salwar-kameez she is wearing.</p>



<p>Dipu realizes that he has entered the wrong house. He gets up and brushes his clothes. The cockroach falls to the floor and scurries away inside the room. Dipu cautiously follows suit. A child is lying there, around seven or eight years old. The bed looks really old. Dipu sits gingerly beside the girl. She seems to be shivering with fever. He should get out of here before he is stuck in some major problem. There are many other houses in this city, lakhs and lakhs of skyscrapers have hidden the sky and the trucks hover all through the city carrying materials for another lakh of such buildings. Dipu regrets entering the wrong house, his life suddenly seems unbearable to him, if at all he is alive… He will leave right now. There is no one to stop him now. He gets up. He is startled, looking at the picture on the bamboo dressing table on the wall next to him.</p>
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		<title>Platform 9 and 823,831,027/1,098,441,353</title>
		<link>https://stateofmatter.in/poetry/platform/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:31:59 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Fantasy]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3913</guid>

					<description><![CDATA[Maths was your magic.Hers—wands, potions,and transmutation—was more traditional. No owl came for you. But you watched her go:best friends, best friendsuntil that momentwhen she warned you: Don’t follow. But when had you ever not followed? Bricks, bruising.Blood, a little.Eleanor, why? For months—years—you marked time at another school,which was deathly dull. Every summer she returnedever more [&#8230;]]]></description>
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<p>Maths was your magic.<br>Hers—wands, potions,<br>and transmutation—<br>was more traditional.</p>



<p>No owl came for you.</p>



<p>But you watched her go:<br>best friends, best friends<br>until that moment<br>when she warned you: Don’t follow.</p>



<p>But when had you ever not followed?</p>



<p>Bricks, bruising.<br>Blood, a little.<br>Eleanor, <em>why?</em></p>



<p>For months—years—you marked time at another school,<br>which was deathly dull.</p>



<p>Every summer she returned<br>ever more a stranger.<br>Maths was your magic.<br>So you knew, each autumn, when she<br>disappeared,<br>that<em> hers</em> was not the only platform<br>between 9 and 10.<br>That there exists, in fact,<br>between any two<br>numbers,<br>a space that may<br>be more<br>finely<br>divi-<br>ded.</p>



<p>9 and 5/6: Smash!<br>Wrong.</p>



<p>Inside the infinite,<br>every outcome is inevitable.</p>



<p>9 and 18/25: Smash!<br>Wrong.</p>



<p>But it was righter;<br>you felt that.</p>



<p>You noted that in your notebook.</p>



<p>Somewhere, in there, was a place for you.</p>



<p>A platform that would open<br>to a train<br>to a school<br>that was almost like hers,<br>to a friend<br>who was almost like her,<br>but not<br>to a bird that would belong to you,<br>if not quite an owl.</p>



<p>A finch<br>or a falcon vulture<br>bluebird blackbird<br>woodpecker<br>parrot<br>sparrow<br>robin raven—<br>anything—<br>with a scroll in its beak.</p>



<p>9 and 4,817/6,311<br>Smash!<br>Wrong.<br>But righter.</p>



<p>You noted that in your notebook.</p>



<p>In this world, you saw her<br>less and less—<br>best friends once,<br>but not now.</p>



<p>You saw her<br>(and her owl)<br>sometimes<br>from the room that was yours<br>(in the house that you had since inherited from your parents);<br>she was visiting <em>her </em>parents:<br>best friends, next door friends,<br>growing up,<br>but nothing now.</p>



<p>She was 30… 40… 50.</p>



<p>For you, whose birthday was only 3 months and 3 days after hers,<br>it was the same.</p>



<p>(This is the simplest kind of maths.)</p>



<p>Now, she was a Minister of Magic.</p>



<p>9 and 40,927/54,581<br>Smash!<br>Wrong.<br>But righter.</p>



<p>You noted that in your notebook.</p>



<p>You were not invited to her funeral<br>(an accident: a hippogriff)<br>But the dream transmuted<br>as you did,<br>so that while—yes—you would enter any platform that opened…</p>



<p>What would you do at a school?</p>



<p>Let it be—if you were dreaming—<br>a house for pensioners.<br>And let them offer you a bird.</p>



<p>In its feathers, you could rest your hand.<br>Rest.</p>



<p>9 and 226,943/302,573<br>Smash!</p>



<p>9 and 328,687/438,241<br>Smash!</p>



<p>No.<br>At one time, perhaps,<br>this may have been about something else.</p>



<p>Eleanor, <em>why?</em></p>



<p>But as your numbers have become sharper<br>(a series of inessentials<br>whittled<br>implacably a-<br>way)<br>so has your ambition.</p>



<p>Your try another and another<br>(smash smash)<br>and your body stoops<br>and your hair whitens,<br>and you acquire a staff, too,<br>to assist your balance<br>(have you, at any<br>earlier period<br>of your life,<br>so resembled a true witch?<br>did Eleanor, even, ever so inhabit the part?)<br>and the<br>problem nar-<br>rows,<br>increment by <br>in-<br>cre-<br>ment,<br>as your newest notebook fills:<br>infinity opening<br>to additional infinities,<br>and within them—<br>shiver—<br>lie<br>an infinite number of platforms<br>that will open<br>exclusively<br>to you.</p>



<p>Finer. Fi-<br>ner. F<br>in<br>e<br>r<br>.</p>
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		<title>Wormhole Grove</title>
		<link>https://stateofmatter.in/artwork/wormhole-grove/</link>
		
		<dc:creator><![CDATA[Ayush Mukherjee]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 15:31:56 +0000</pubDate>
				<category><![CDATA[Artwork]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Space]]></category>
		<guid isPermaLink="false">https://stateofmatter.in/?p=3932</guid>

					<description><![CDATA[]]></description>
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